

"Outlier solves real problems for real sports bettors," commented Co-Founder and CTO, Luis-Lafer Sousa. On Outlier, bettors can originate pick ideas by browsing through gamelines (moneyline, spread, over/under), player propositions (points, rebounds, touchdowns), and timely insights like how LeBron James has performed on the road, after a loss, versus a top-3 rebounding defense. What's clear to us now, however, is that there's an even larger opportunity to support sports fans in the sports betting space."


Outlier is a first-of-its-kind sports betting platform where bettors can place smarter sports bets efficiently and confidently by leveraging historic performance stats, analyzing relevant trends and insights, tracking line movement, comparing odds across the major sportsbooks, and seamlessly executing their picks on FanDuel, DraftKings, BetMGM, or Caesars, in just two clicks.Ĭo-Founder and CEO Evan Kirkham stated, "We started Colorcast with the intention of helping sports fans engage more deeply with the teams and the sports they love. Select the colors that you want to appear on your gradient map and then play around with blending modes and opacity to create something unique.Colorcast, the Austin-based fan engagement company, has launched a sports betting platform and has officially rebranded as Outlier. Create a gradient map as an adjustment layer. Although a lot of work can be done in Lightroom, to use a technique like gradient mapping you will want to move your images over to Photoshop. Many well-known concert photographers prefer a highly stylized approach when editing their images. One of the great joys of concert photography is that there is a lot of freedom in post production. Select global and move through the color wheel to see what the different effects might be. Another option is to use the color grading panel. From there you can enhance the temperature and hue of the image, depending on the colors in the image you can create some interesting duotone effects in the image. Adding a color preset to a photo with an intense colorcast is a great place to start. It’s okay to embrace the moody lighting and enhance the color cast.
Colorcast network skin#
Sometimes the lighting during a live show is so dramatic that correcting for skin tones just isn’t going to work. Adding a mask to the subject will let you increase the exposure, without blowing out the background. From there make adjustments to the primary hues and saturation in the calibration menu. If you are dealing with an image with a red color cast you will want to slide your tint all the way to green and slide the temperature to blue. Start by making white balance adjustments. If the colorcast on your subject is yellow, blue, green or magenta its pretty easy to get the subjects skin tone back to a more normal shade. The folks from Mango Street share a few tips on how they approach color grading when editing concert photos. Although having subjects with perfect skin tones and pristine white balance isn’t usually possible, doing a bit of color grading can make a big difference. And while these elements look great on stage, they can be tricky to photograph. It’s not unusual for performers to be lit with strobing lights or extreme color casts. It’s also one of the few times where the photographer has zero control over the lighting conditions. Photographing live music is all about timing and technique.
